| Chuck Wendig’s books are a treasure trove of clever metaphors, snarky dialogue, and prose that conveys a sense of urgency and immediacy.
Reminiscent of Neal Stephenson’s remarkable double-whammy of Snow Crash and Cryptonomicon, Wendig utilises a third person present tense to make something that happened a long time ago in a galaxy far, far away feel like it’s happening right now somewhere not so far away.
His nuanced characterisation presents readers with protagonists often-times at war with themselves as much as they are with their external environment. And it’s terrific stuff.
No less terrific is Wendig’s natural ease at presenting a same-sex relationship with the same obvious naturalness as between opposite-sex couples. This remains a curiously odd elephant-in-the-room for some readers, who find this to be a jarring disruption for reasons beyond this critic’s understanding.
Interspecies relationships between numerous (imagined) species are acceptable, but same-sex relationships between two human characters is not? There is an odd double-standard at play which may be as much a reflection of our changing times – and the pushback by the curious denizens unfathomably bothered by changes which in no way impact their day to day lives.
The Star Wars universe allows for a variety of stories about numerous characters, as well as a variety of approaches to telling those stories – be it Matt Stover’s Shatterpoint, which transitions between first and third person, to the Robin Hobb-like first person point of view of I, Jedi – to the exclusively third person omniscient approach utilised by Timothy Zahn in his contributions.
All are welcome. None are excluded. This open-armed and kind (Jedi-like, if you will) approach only enrichens the ever-expanding Star Wars universe.
None of us own it, but many of us play in it. To the universe’s benefit.
I doff my cap to Chuck Wendig for making the Star Wars galaxy a richer and more fascinating place to visit. May he someday return to further enrich this vast and diverse universe.
Category Archives: Science-fiction!
If you haven’t read the ‘Acts of Caine’ novels by Matthew Woodring Stover, do so now.
Publishers – if you’re out there and can see this: go and find copies of ‘Heroes Die’, ‘Blade of Tyshalle’, ‘Caine Black Knife’, and ‘Caine’s Law’. Go and find them, and for the love of any and all gods that might be out there listening: give the man a book deal, and savvy marketing department, and a staff of publicists who can market the ever-living shit out of this guy. Del Rey have never managed to properly market his books, and for years he has remained a cult author. The success he so rightly deserves has eluded him.
And that’s not right. And as Matilda said: “and if it’s not right, you’ve got to put it right!”
Each book in Matt’s Caine series is different, has a different tone, structure, and texture to it. Matt’s books are astonishing in their diverse narrative approaches, humbling in their clever narrative developments, contain complex, complicated, dynamic, three-dimensional characters. And prose and dialogue that sparkles and never, ever bores.
Don’t believe me? Then go listen to Stefan Rudnicki, the voice actor for ‘Heroes Die’: http://bit.ly/2mHIQ9z
Go and read the review Scott Lynch (of ‘Gentleman Bastards’ fame) wrote years before realising his own success as a writer: http://bit.ly/2nVEvAN
How about John Scalzi’s ebullient and gushing praise for Stover’s books? Would that suffice? http://bit.ly/2nJySq5
Matt Stover is an author that deserves a bigger audience than he’s thus far received. His books predated the contemporary ‘grimdark’ movement and are frequently cited as a source of considerable inspiration by many contemporary authors who grew up reading his novels and did what any smart author does:
They stole from the best.
And if you want to steal from the best?
You steal from Matthew Woodring Stover.